the Pacific Brass Band
an Authentic Britsh Style Brass Band
Featuring traditional Brass Band Favourites, American Folk Songs, Rags, Marches and Musical Theatre selections.

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A Change in Leadership

As the new year of 2010 approached, the founder, leader, - indeed, inspiration of the Pacific Brass Band - Gonzalo "Bert" Viales - decided that after 20 years, the time had come to fully retire from the podium.

He has passed the baton to our Assistant Bandmaster, Howard Miyata. Howard brings with him a lifetime of making, teaching and directing music, from public schools to the exceptionally well regarded High Sierra Jazz Band.

The Pacific Brass Band has come a very long way in developing the traditional British Brass sound under Bert; Howard has promised to stay true to the ideal of Britsh Brass!



Pacific Brass
, a "British-Style" Brass Band, was founded in 1990 and gave it's first concert in the Spring of 1991. The concept of a "British-Style" Brass Band is unique in the Western United States, there being only a very few in Washington, Oregon and California, except, of course, the Salvation Army bands.

In the United Kingdom, Australia, New Zealand, Scandinavia and Europe there is great interest in the revival of this type of band, with organized competitions that culminate with National Championships yearly. Championship music, or 'contesting' pieces, are designed to highlight each section's ability, and have been appropriately described as "fiendishly difficult". It is the highest of honors to place in National Championships!

Pacific Brass (a non-contesting band) is comprised of musicians from Monterey, San Benito, Santa Clara and Santa Cruz, California counties. Membership stands at about 33 members.

Instrumentation is approximately the same as current contesting English Brass Bands. It consists of Eb and Bb Soprano Cornets, Flugelhorns, Eb Tenorhorns, Bb Tenorhorns (Baritones), Euphoniums, Trombones, Eb and BBb Tubas and Percussion. All instruments are of a conical bore design, with the sole exception of the Trombones.

The band's repertoire consists of traditional Brass Band literature, as well as American Folk Songs, Rags, Marches and selections from popular Musical Theatre. In addition to the Bandmaster's love for brass literature he has strong desire to aquaint younger musicians with a genre rarely heard in North America.

For more information regarding concert schedules, booking and availability,
contact the Bandmaster!


Howard Miyata, Bandmaster

Hear the Pacific Brass on the following dates:

Fall 2010 Season

CONCERT

Sunday, Nov. 14th, 2pm
1st Presbyterian Church
2066 San Benito St.
Hollister, Ca.

 

CONCERT
Saturday, Nov. 20th, 7pm
Salvation Army Christmas Season Kickoff
Henery J Mello Center
250 East Beach St, Watsonville, Ca.

 

Instrumentation for a British Brass Band

One E flat Soprano Cornet serves as the piccolo voice.  It requires a delicate touch and is used frequently as a soloist or to add brightness to the cornet tutti sound..

Four B flat Solo Cornets are the lead voices in he ensemble. The use of four cornets permits players to switch off on parts that are frequently continuous throughout the entire piece.  Divisi parts are also frequent. The four solo players should ideally match each other in sound.

Two B flat Second Cornets and two B Flat Third Cornets fill out the cornet choir.

One B flat Repiano Cornet is the ?roving middle linebacker? of the section, often used as a solo voice or doubling the Soprano Cornet in unison or at the octave.  The Repiano is also used to add weight to the other Cornet parts.

One B flat Flugelhorn serves as a bridge to the Tenor Horns.  It is a frequent solo voice and is often used as the top voice in the horn family.

Three E flat Tenor Horns (Solo, First, and Second) often perform as a choir with flugelhorns and baritones.  The Solo Horn is a frequent solo voice.  Also commonly referred to as the Alto Horn in the United States; it is an upright, three valve instrument, with a lighter sound than the French Horn.

Two B flat Baritones are often doubled with Euphoniums but work best as low extensions of the Tenor Horn section.  As separate voices, their ability to blend and add a middle-low voice without heaviness is a unique feature of the brass band.

Two B Flat Euphoniums are the predominant solo tenor voices and also function as tutti enforcers with the basses.

Two B flat Tenor Trombones provide punch and drive because of their cylindrical construction.

One Bass Trombone is both a low support for the trombone section and an additional weight to the tubas. The bass trombone is the only instrument that reads in concert pitch.

Two E flat Tubas and two B flat Tubas give composers an extraordinary flexibility in dictating the sound of the bass part. The lighter quality of the E flats can have all the lyricism of the Euphoniums while the fatter B flat Tuba sound adds weight. In octaves or fifths, the section can give the brass band and incredible richness of tone.

Three Percussionists will cover the entire spectrum of percussion instruments. Timpani, battery, and mallets are standard for almost all compositions.

from the NABBA XXI 2003 program, with thanks to the New England Brass Band

 

Current Pacific Brass Instrumentation consists of:

Eb Soprano Cornet - 1

Solo Bb Cornet - 3

Bb Repieno Cornet - 1

2nd Bb Cornet - 2

3rd Bb Cornet - 2

Flugelhorn - 2

Eb Tenorhorn - 2

1st Eb Tenorhorn - 1

2nd Eb Tenorhorn - 2

1st Bb Baritone - 1

2nd Bb Baritone - 1

1st Trombone - 2

2nd Trombone - 2

Bass Trombone - 1

Bb Euphonium - 3

Eb Tuba - 2

BBb Tuba - 3

Percussion - 3

 

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