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A
Change in Leadership
As the new year of 2010 approached, the founder, leader, - indeed, inspiration of the Pacific Brass Band - Gonzalo "Bert" Viales -
decided that after 20 years, the time had come to fully retire from the
podium.
He has passed the baton to our Assistant Bandmaster, Howard Miyata.
Howard brings with him a lifetime of making, teaching and directing music,
from public schools to the exceptionally well regarded High Sierra Jazz
Band.
The Pacific Brass Band has come a very long way in developing the traditional
British Brass sound under Bert; Howard has promised to stay true to the
ideal of Britsh Brass!
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Pacific
Brass, a "British-Style" Brass Band, was founded in 1990
and gave it's first concert in the Spring of 1991. The concept
of a
"British-Style" Brass Band is unique in the Western United States,
there being only a very few in Washington, Oregon and California,
except, of course, the Salvation Army bands.
In
the United Kingdom, Australia, New Zealand, Scandinavia and
Europe
there is great interest in the revival of this type of band, with
organized competitions that culminate with National Championships
yearly.
Championship
music, or 'contesting' pieces, are designed to highlight each section's
ability, and have been appropriately described as "fiendishly
difficult".
It is the highest of honors to place in National Championships!
Pacific
Brass (a non-contesting band) is comprised of musicians from
Monterey,
San Benito, Santa Clara and Santa Cruz, California counties. Membership
stands at about 33 members.
Instrumentation
is approximately the same as current contesting English Brass Bands.
It consists of Eb and Bb Soprano Cornets, Flugelhorns, Eb Tenorhorns,
Bb Tenorhorns (Baritones), Euphoniums, Trombones, Eb and BBb Tubas
and Percussion. All instruments are of a conical bore design, with
the sole exception of the Trombones.
The
band's repertoire consists of traditional Brass Band literature,
as well as American Folk Songs, Rags, Marches and selections from
popular Musical Theatre. In addition to the Bandmaster's love
for brass
literature he has strong desire to aquaint younger musicians with
a genre rarely heard in North America.
For
more information regarding concert schedules, booking and availability,
contact the Bandmaster!
Howard Miyata, Bandmaster
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Hear
the Pacific Brass on the following dates: Fall
2010 Season
CONCERT
Sunday,
Nov. 14th, 2pm
1st Presbyterian Church
2066 San Benito St.
Hollister, Ca.
CONCERT
Saturday,
Nov. 20th, 7pm
Salvation Army Christmas Season Kickoff
Henery J Mello Center
250 East Beach St, Watsonville, Ca.
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Instrumentation for a British Brass Band
One E flat Soprano Cornet serves
as the piccolo voice. It requires a delicate
touch and is used frequently as a soloist or
to add brightness to the cornet tutti sound..
Four B flat Solo Cornets are
the lead voices in he ensemble. The use of four
cornets permits players to switch off on parts
that are frequently continuous throughout the
entire piece. Divisi parts are also frequent.
The four solo players should ideally match each
other in sound.
Two B flat Second Cornets and two B Flat Third Cornets fill out the cornet choir.
One B flat Repiano Cornet is
the ?roving middle linebacker? of the section,
often used as a solo voice or doubling the Soprano
Cornet in unison or at the octave. The
Repiano is also used to add weight to the other
Cornet parts.
One B flat Flugelhorn serves
as a bridge to the Tenor Horns. It is a
frequent solo voice and is often used as the
top voice in the horn family.
Three E flat Tenor Horns (Solo,
First, and Second) often perform as a choir with
flugelhorns and baritones. The Solo Horn is a frequent solo voice. Also
commonly referred to as the Alto Horn in the
United States; it is an upright, three valve
instrument, with a lighter sound than the French
Horn.
Two B flat Baritones are
often doubled with Euphoniums but work best as
low extensions of the Tenor Horn section. As
separate voices, their ability to blend and add
a middle-low voice without heaviness is a unique
feature of the brass band.
Two B Flat Euphoniums are the predominant solo tenor voices and also function as tutti enforcers with the basses.
Two B flat Tenor Trombones provide punch and drive because of their cylindrical construction.
One Bass Trombone is both a low support for the trombone section and an additional weight to the tubas. The bass trombone is the only instrument that reads in concert pitch.
Two E flat Tubas and two B flat Tubas give composers an extraordinary flexibility in dictating the sound of the bass part. The lighter quality of the E flats can have all the lyricism of the Euphoniums while the fatter B flat Tuba sound adds weight. In octaves or fifths, the section can give the brass band and incredible richness of tone.
Three Percussionists will cover the entire spectrum of percussion instruments. Timpani, battery, and mallets are standard for almost all compositions.
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Eb
Soprano Cornet - 1
Solo
Bb Cornet - 3
Bb
Repieno Cornet - 1
2nd
Bb Cornet - 2
3rd
Bb Cornet - 2
Flugelhorn
- 2
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Eb
Tenorhorn - 2
1st
Eb Tenorhorn - 1
2nd
Eb Tenorhorn - 2
1st
Bb Baritone - 1
2nd
Bb Baritone - 1
1st
Trombone - 2
2nd
Trombone - 2
Bass
Trombone - 1
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Bb
Euphonium - 3
Eb
Tuba - 2
BBb
Tuba - 3
Percussion
- 3
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